Re: 911 And The Agenda...

Bobdog Sun 19 Dec 2010, 04:22

http://edition.cnn.com/SPECIALS/2001/memorial/lists/by-country/page9.html

quicksilvercrescendo Fri 09 Sep 2011, 20:45

Piece of art done back in the eighties...

Twin towers....two planes...fire rising in child's hair, rebuilt modern freedom towers in left hand corner with angels flying around them...interesting...

quicksilvercrescendo Sun 11 Sep 2011, 13:04

Myself and another individual have been spending some time interpreting what is portrayed in this artist's picture.

The "braids" on the child are actually toward the front. And that in the artist's work one can see the outline of a kippa on the head of the child.
He suggested it was an Hasidic child. I then answered that I have never seen a blond blue-eyed Hasidic. He then sent me this picture...

The constellation in the picture is Orion. The large red star is Betelgeuse a massive M-type red supergiant star. The largest blue star at the far left with a halo around it is Canis Major, of which Sirius is its brightest star.

The four descending vectors...
Vectors are a feature in every NASA mission patch.
The vectors have been represented on cave art of various cultures all over the world. We’ve also been seeing them appearing in several recent UFO style videos on youtube – they appear as a lifelike, rippling form in the sky – quite large, ethereal looking things like long ribbons waving in the wind – but at high altitude. From what I’ve found out, they were worshiped by some ancient cultures and (a little chillingly) there appearance apparently precedes the arrival of the Destroyer.

The NASA symbol patches as well as the patches for other countries space programs almost unfailingly have the vectors incorporated into the design – almost like they can’t make a move in space without showing ‘worship’ to these beings/craft/whatever. NASA was founded by former NAZI scientists as we know (a derivative of AshkeNAZI I might add – that being the Ashkenazi Jews descended from the Kazakhs of the Russian Steppes, and the central core of the Zionist movement too, just for fun). Whether they represent the for angels/horsemen of the apocalypse is a good analogy.

I like to keep in mind though that the term Apocalypse has a number of meanings – the one I prefer is ‘An ‘Apocalypse’ is a disclosure of something hidden from mankind in an era dominated by falsehood and misconception’. All that has been hidden will be revealed and our elite love spilling the beans through symbolic representations like this.

The four vector's in the artist's picture are perhaps the four angels-ETs of the Apocalypse.
Seeing how there are four angels depicted…then perhaps this would correspond with the sun, moon, stars and darkened images in the picture…

And the fourth angel sounded!
And the third part of the sun, and the third part of the moon, and the third part of the stars were darkened. Likewise, a third part of the day, and a third part of the night was darkened.

Could the silver towers on the left side of the picture actually be the trumps-vials with their seals opened as mentioned in Revelations?

**KapitanScarlet** Mon 12 Sep 2011, 01:00

Thats an intriguing symbolic pic regarding the 9-11 connection, its a pity the artists now dead, as it would have been enlightening to find what inspired its creation

I noticed that the left side fully pictured hasidic does not have their hand on the shoulder like the others

Flames Sun 07 Oct 2012, 06:30

Black 9/11: Money, Motive and Technology - Mark H. Gaffney

Publication Date: May 22, 2012

The weeks following the attacks of September 11, 2001, were traumatic for nearly every American, but for some, the answers they received from the media and the government to explain the horrific events was not satisfactory. Accusations of cover-ups, internal plots, and sabotage from within the ranks of the U.S. government were—and continue to be—not uncommon. But compelling evidence contrary to the accepted narrative has, for some skeptics, been lacking. This investigation into the events of that day reveals dark secrets about United States–sponsored terrorism. Taking highly complex technical and scientific information, and distilling it for the consumption of the lay person, this inquiry attempts to reveal the truth behind that infamous day.

Black 9/11

The Most Dangerous Book in the World: 9/11 as Mass Ritual - S. K. Bain (Author), Peter Levenda (Contributor)

Publication Date: September 11, 2012

In this shocking exposé, investigative researcher and author S. K. Bain explores the inconsistencies, coincidences, and historical precedents of the events of September 11, 2001, and reconstructs an occult-driven script for a Global Luciferian MegaRitual. Bain argues forcefully that the framework for the entire event was a psychological warfare campaign built upon a deadly foundation of black magick and high technology. The book details a view of the sinister nature of the defining event of the 21st century and opens a window into the vast scope of the machinery of oppression that the author asserts has been constructed around us.

The Most Dangerous Book in the World: 9/11 as Mass Ritual

S. K. Bain is the former art director of Weekly Standard magazine and Oxford American magazine. He recently helped author portions of U.S. Public Law 111-11, an act that designates certain land as components of the National Wilderness Preservation System. He lives in Blue Mountain, Mississippi. Peter Levenda is the author of Sinister Forces and Unholy Alliance: A History of Nazi Involvement with the Occult. He has appeared in numerous documentaries for the History Channel and the Discovery Channel, as well as in TNT's documentary The Faces of Evil. He has also appeared on Coast-to-Coast with George Noory and Ian Punnett. He lives in Miami.

quicksilvercrescendo Wed 28 Nov 2012, 04:57

tgII Wed 28 Nov 2012, 09:49

Lot's to catch up on here, holy smokes!

Can I tackle the caps these traumatized and abused children are wearing first? Imagine
what these children are being subjected to without any inhibitors or ability to object to
this abuse? So when they become eighteen years-old, they are drafted into the IDF, and
then say their prayers in front of their Merkava tanks as they pelt Gaza with 155mm
high explosive rounds.

Background

The Cap of Cybele is one of the oldest and most sacred religious symbols of humanity. It is a thin, slightly rounded skullcap now commonly known by various titles including Kippah, Yarmulke, Kufi and Zucchetti.

The Cap of Cybele was traditionally worn by senior priests underneath other official ceremonial head dress such as the Mitre of Dagon, or the Cap of Attis. The cap was also worn in later years by penitents undertaking the purification of pilgrimage and had completely shaven their head and facial hair (men and women).

Its significance is representing respect, fear and submission [always submission; imagine what this does to the libido of men, women and children especially?] to the Queen of Heaven, the Mother of all the Gods. A similar meaning is assigned through the probable origin of "Yarmulke" via either the Aramaic phrase yari malka, meaning "fear of the King (God)" and/or Hebrew ya'are m'elokai "to tremble before the Lord." [always fear and remorse and submission; is there anything more fucked up than that?]

While the cap of Cybele is synonymous today with Orthodox Judaism [and Catholic Cardinals at the Vatican dressed in red dresses like women; Queen of heaven] and certain Muslims, there is no credible religious nor historical precedence for its use in either religion.

In the case of Judaism, there exist strict passages which forbid the wearing of such skullcaps and head dress. [so why do Orthodox Jews wear these caps?] Nor is there a single verifiable historical example of the existence of the wearing the pagan cap of Cybele in Jewish tradition prior to the 3rd/4th Century CE. Contrary to modern attempts by scholars to "explain away" this anomaly, the popular use of the Yarmulke is without question heretical to ancient Jewish scripture and law.

Similarly, in the case of Islam, there is no credible evidence that Muhammad ordered such head dress to be worn by his followers, nor is there a single line within the Holy Qur'an demanding such obedience to dress.

In contrast, the Qur'an is quite explicit in detail concerning other detailed requirements of dress, particularly of women in public. It can therefore be said with complete confidence that the wearing of the cap of Cybele by Muslims has no credible religious basis and is a serious apostasy against the worshipping other gods other than Allah.

In Roman Catholic ceremonial dress, the pagan Cap of Cybele is called the Zucchetti. In Rome and upon the Vatican Hill there is strong grounds for making the connection to Cybele as the Vatican was the site of the largest ancient temple and necropolis to Cybele from 200 BCE onwards. However, there is no evidence whatsoever in the various major re-written versions of the Gospels over the centuries of the Zucchetti having any spiritual significance to Christian ideals.

Nor is there any evidence of its use by the leaders of the various christian sects until well into the Middle Ages.