Corporate Symbolism (intel inside)

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Re: Corporate Symbolism (intel inside)

Post  tgII on Sun 07 Mar 2010, 11:57

Hint#1: White represents virginity, she's the aggressive virgin.

Hint#2: I feel like punching that little faggot dude in the chin in an upper cut knocking his ass out.

Hint#3: I hate insurance companies.

Hint#4: Check out the red lipstick, sexual arousal, a woman's lips
are gorged with blood, the red application intensifies the natural
physiological act during fornication.

Hint#5: Progress, whose progress, usually when someone is
'progressing' someone else is retrogressing.

Hint#6: Corporations want blood.

Hint#7: Americans are broke, the only way to stay insured
when you've got shit in the bank account is to go for the lowest
price.

Hint#8: When a sales rep says, "Can I help you?" Run like hell.

Hint#9: It was a stupid fucking childish commercial.

Well, that just about does it, I think I've covered all the bases. Twisted Evil
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Re: Corporate Symbolism (intel inside)

Post  KapitanScarlet on Sun 07 Mar 2010, 23:08

Like a blue an white film

But quite a clever sales concept , as soon as you "exercise your power" and name your price , they have made a sale, because youve agreed to part with that money, then its just a case of working the usual persuasion gig for a few add ons to bump up the price you agreed to give them

So instead of a sweaty sleezy geek in a suit persuading you to buy , youve got this ang jolie derivative showing you how to give your money to them with a smile
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Re: Corporate Symbolism (intel inside)

Post  seraphim on Mon 08 Mar 2010, 00:08

That commercial caught my attention too recently and was going to say something earlier. I was wondering what they were up to as well!

I agree the red lipstick tells it all.

It's a good possibility that women have become whores and men slaves to the the kundalini so it is, because of the very powerful sexual
energy. I think the message in the bible was to be careful with this energy, but folks were not and so they kind of fell. And the original meanings in the bible were changed.

I'm not saying that energy is bad and I'm sure the first bible would have never made it bad, it can be used so that the person is in control and do things with it. But knowledge of that is kept away so that people can be used by this energy instead.

It's more than strange to see how the men are made to feel ashamed of sex (well that's what it's about, not insurance) in one of their commercials. The people behind the billion dollar insurance industry wants everyone to think that this energy is wicked.

That commercial is important because there is a bigger subliminal message behind it. And that behind things folks are being controlled and made to feel worthless, I can't make that statement any clearer.

They are going overboard so their manipulating ways are not so subtle or difficult to detect anymore. But it feels so unreal to know that they have controlled people this way, and for so long, and just right after adam and eve it seems.
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Re: Corporate Symbolism (intel inside)

Post  seraphim on Mon 08 Mar 2010, 00:24

How on earth could I forget to say, WHAT NERVE the folks behind this commercial have, by saying PROGRESSIVE.

SICK! They mock us and like throwing it right in people's faces, and they take it like idiots, do punch him tgII!
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Re: Corporate Symbolism (intel inside)

Post  tgII on Mon 08 Mar 2010, 01:17

Flames, go here:



When you get here, scroll or go to the page where the
professor in the video is describing the roll of psychopaths
in the development of marketing.
Shocked

Watch this important first part:

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Re: Corporate Symbolism (intel inside)

Post  KapitanScarlet on Wed 19 May 2010, 22:36

The London Olympics
MASCOTS were revealed earlier .........wheres that sledgehammer

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Re: Corporate Symbolism (intel inside)

Post  quicksilvercrescendo on Mon 26 Jul 2010, 04:41

Have you been out lately to look upon the populace?
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Re: Corporate Symbolism (intel inside)

Post  KapitanScarlet on Sat 14 Aug 2010, 15:54



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Re: Corporate Symbolism (intel inside)

Post  quicksilvercrescendo on Sat 14 Aug 2010, 23:42

You used to only be able to buy sodas at the local neighborhood pharmacy.
Coke had cocaine.
7UP had lithium.
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Re: Corporate Symbolism (intel inside)

Post  KapitanScarlet on Mon 16 Aug 2010, 01:02

Check the dialogue at 0.53 afro
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Re: Corporate Symbolism (intel inside)

Post  Sputnik on Mon 15 Nov 2010, 02:43

Vaticanus, An Etruscan loan-word, supposedly not related to "vates" = sooth-sayer.

In Roman mythology the goddess Venus was created from the foam carried ashore atop a scallop shell.



The Popes Coat of Arms


Anglian scell, sciell, scill "seashell" related to O.E. scealu "shell, husk" from P.Gmc. skaljo

"divide, separate"

Many symbols should not be looked at from the 2 dimensional perspective alone.

A scallop shell has always two parts right...
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Re: Corporate Symbolism (intel inside)

Post  KapitanScarlet on Mon 15 Nov 2010, 14:21

A question for the forum, is this a "masonic" thing with these corporate symbols? I guess, by that, I mean, are the freemasons the ones going out of there way to put this stuff in the public everywhere?

My understanding is that masons are exposed to symbols in their path of learning of which no or only partial explanation may be supplied, the final dots always being filled in by the beholder , there reaches a time when a symbol seems to represent a solid perceivable message , but then once a persons range of perceptions has been expanded or altered, that symbol, once more offers a greater or lesser insight to the beholder
I also believe that symbolism is not an exact language .... because symbols induce an array of responses that are limited or expanded by the gnosis of the beholder

So nobody really fully controls a symbol , that is their greatest power and danger , they are the secret language of the mirror, their reflective power is as infinite or as finite as sensical or nonsensical as the persona that beholds them

They can be understood in layers of effects
First impression is a first response = Attraction or Repulsion
This impression can be diagnosed as colours and shapes whose composition is both emotional , intellectual and even ancestral
These colours , shapes and compositions penetrate through the conscious mind into the subconscious and seek "recognitions"

This is where their real power lies, because the depth and effect of these recognitions are dependent on the gnosis (awareness level) of the beholder and occur at various levels of the conscious and subconscious mind

And every "recognition" creates a definitive response , through the spirit, the emotion , the intellect , and once more, these responses may not be consciously related to their "cause recognitions" (the symbolic effect) dependent on the conscious/subconscious awareness of the beholder on their self

It then makes complete sense that in the initial stages of awareness, if given the correct conditioning , both subconscious and conscious, that a majority of humans in a given group , will react in a specific manner to certain symbols, even if that manner is just the first impression of attraction, because just to harness someones attention is the first act of persuasion

i think it gets more complicated to explain as the layers of effects are considered , especially if a person makes the leap from this mortal existence to ancestral dna connections which would open up a whole new level of deep subconscious infuence that is being imposed on the psyches

Many symbols should not be looked at from the 2 dimensional perspective alone.
too true, the first conscious perception of an unaware persona would be 2 dimensional, with their other perceptions being subconscious .
By studying the self, a person can begin to identify their subconscious influences , some of them, never all

Very Happy
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Re: Corporate Symbolism (intel inside)

Post  tgII on Mon 15 Nov 2010, 15:13

All you have to do is focus on the 108 Livery Companies in the
City of London for one of the best overall composite understandings
of what is happening in the world today.

This is ground breaking research and get ready to have your eyes
shut wider than Tom Cruise; I am actually beginning to think Cruise
played a part in the murder of Stanley Kubrick.

Flames, I have pretty much stopped following the symbol thing, here's
one of the reasons why; take the Venetians for example because a lot of
this can be traced back to them as the 'black nobility':

The Venetians seem to have been essentially refugees: so there's likely
no esoteric reason why they moved to London – it was a practical con-
sideration. (Which is nearly always the case: practicality trumps esotericism.
For instance, resource monopolism is a much more significant factor among
power families in the real world than is religion. They create religions to
justify their greed. Too many researchers divert too much attention to
esoteric factors when often these aren't needed to explain very practical
phenomena. Child psychology covers most of it!)

We're talking about resources such as oil and drugs.

Pseudo-linguists and numerologists are among the worst offenders.
Never attempt to explain by esoterica what you can explain by
supply chains and trade monopolies! The esoterica is an artificial
matrix that gains currency as more people feed it with energy: I
prefer to starve these fictions as much as possible – especially
other people's stale fictions.



Go to the City of London, specifically internet searches for Livery
Companies
; it is absolutely stellar what is revealed. You will learn
exceedingly more there than trying to track down all this esoteric
symbolism that eventually causes most to start lusting after it.

Look at this gem for starters:

  • The traditional government of London has always been representational, and the voting power came from its “Freemen”, the members of the “livery companies” that are at the heart of its foundation. These were the trade guilds, such as the Scriveners, the Longbow Makers, the Master Mariners, the Parish Clerks, etc., and they usually had names starting with the words “Worshipful Company of …” The word “livery” is related to the Latin “liberare”, meaning “to liberate.”


And all 108 Worshipful Livery companies have motos in Latin.

Freemasons run these Livery Companies; it's in the word 'free.' They
are 'freemen' because they are free to contract having broken the
bonds of slavery by having a trade, thus the Worshipful Companies
have monopolized trade.

Freemasons contract through private law, yet no one I have come across
has even heard of private law or knows what it is.

  • You see, originally, “freedom” implied that one had, either by apprenticeship, or by payment, or by blood inheritance, been emancipated from serfdom by practicing a trade. It meant that you were free to form your own contracts and conduct your own business in the City of London, and in order to gain your freedom you had to belong to one of the City’s companies. You were granted the “Freedom of the City” when you took the “Declaration of a Freeman”, a ceremony that qualified applicants can still partake in today. These livery companies each had their own authority derived from their members, and these combined to for the “Corporation” of the City government, deriving its sovereignty from its Freemen. This concept of freedom is of course at the heart of the word “Freemason”, an institution at least partially derived from the Mason guilds of England. Later on, in the American colonies, “Freemen” were those colonists who had paid for their immigration fees through indentured servitude (usually seven years), and were now free from debt or other legal restraint.


Very few people know what I discovered. Did you know and realize
the enormity of what Herzel (political Zionism) did when Kaiser Wilhelm
should ask of the Sultan for him what he would like to do for Jews?

    During the early fall of 1898, Kaiser Wilhelm II of Germany planned a trip to Palestine to visit the German settlements there and rededicate Christ Church in Jerusalem. Theodor Herzl was invited to a private audience with Kaiser Wilhelm, October 15, 1898, when the Kaiser stopped in Constantinople for a State visit.

    The Kaiser asked Herzl what he wished him to ask of the Sultan:

    “Tell me in a word what I am to ask the Sultan.’ “A Chartered Company – under German protection,” was Herzl’s request.


It would be the foundational backing and protection for the Jewish
State – Herzl’s and Hechler’s goal. Hechlar than approached
Rothschild with this letter posted at the link. In case no one has
ever heard of Hechlar, he's the German (became British) who put
the fire under the asses of Christian Zionists throughout the world.

The Christian William Hechlar, had more to do with kicking off the
political travesty of Zionism and a return to Palestine then the Jews
themselves?!



Israel was set up as a corporation to protect British economic
interests under the guise of religion:

  • Though Hechler failed in his efforts to get German recognition of Zionism, world power recognition of Zionism came from his mother's homeland, Britain, and not his father's, Germany. The British War government of Lloyd George formally proclaimed in the Balfour Declaration November 2, 1917, that "His Majesty's government's view with favour the establishment in Palestine of a national home for the Jewish people”.


And I will bet anything the legal documents are held in London
for the Israel Corporation by the Worshipful Company of Scriveners;
again, the same quote because it is just loaded with meaning:

  • In a corporation, the total worth of the company is divided into “shares”, [are the shares of Israel owned by these guilds/banks?] which are sold to the investors as percentages of the company's worth – slices of the pie. ... These were the trade guilds, such as the Scriveners, the Longbow Makers
    , the Master Mariners, ... “Worshipful Company of …” The word “livery” is related to the Latin “liberare”, meaning “to liberate.” [all the motos for these livery companies are in Latin] ... Those states [Israel?] then united to form a confederation on behalf of the sovereign people. ...


Shocked

Esoterica sucks; the really important more obvious stuff goes
completely past without ever seeing it.
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Re: Corporate Symbolism (intel inside)

Post  Sputnik on Mon 15 Nov 2010, 16:31



Iago in Shakespeare's play Othello is perhaps the best case-study of the Venetian method. Laughing

The "English Othello": http://en.wikipedia.org/wiki/Henry_VIII_of_England

Noteworthy: http://en.wikipedia.org/wiki/The_Jew_of_Malta

Venice has the best kept documentation of Diplomatic Dispatches in the WOLRD. Idea

And the Doge (leader of the Republic) of Venice wore the Phrygian cap?

http://en.wikipedia.org/wiki/Phrygian_cap

Also worn by the Persian Mithras: http://en.wikipedia.org/wiki/Mithras

Oh, and yes yes yes, Mithras is IRANIAN...

Mithra = "covenant, contract, oath"

Manichaeans used the name of Mithra as in

Mihryazd = "The Living Spirit"

And the Parthians as in

Mihr = "The Messenger"

Sogdian = Mytr or Mytrg

Myrtin, Myrddin, Merlin....


It was during the Achaemenid period that Zoroastrianism reached South-Western Iran, where it came to be accepted by the rulers and through them became a defining element of Persian culture.



There are no coincidences or indefinete meanings concerning symbols.

Symbolism is the language of the subconscious mind,

we are even genetically predestinated by them,

and therefore symbols play a vital role in our subconscious communication

with the rest of the world. That's why some folks prefer certain symbols and

regard them as their inheritance/identity.
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Re: Corporate Symbolism (intel inside)

Post  KapitanScarlet on Mon 15 Nov 2010, 22:38

There are no coincidences or indefinete meanings concerning symbols.
Symbolism is the language of the subconscious mind,
we are even genetically predestinated by them,
and therefore symbols play a vital role in our subconscious communication
with the rest of the world. That's why some folks prefer certain symbols and
regard them as their inheritance/identity.

If someone designs a symbol , does that person have mastery of all the possible connotations of that symbol ? i dont think so, even if they think they do, another person beholding the symbol can still extract or project into, their own unique perception from that symbol .
I completly agree about them being a language in the subconscious, which means that messages can be conveyed through symbolism that were not intended by the human designer , because no human has mastery of the subconscious world although there are certain crafts that study and aquire evolving understandings of that area.
Therefore many symbols will contain colours, shapes and composition that are intended to have a definitive effect on anothers consciousness if that other person has achieved a specific level of conditioning or even education / wisdom
But its also possible that if there are "intelligences" operating in the subconscious world , then they can influence a human to create a symbolic design, that captures and displays within its grandeur , certain qualitys of sensual revelation that have yet to be revealed and elaborated through human literature.
This is why an artist producing a masterpiece may have extracted and freezeframed certain creative messages from the subconscious world that may influence a new form of articulation to beholders at a future date
The symbolic artistic pieces are Accessible vaults for the subconscious gold prospector (aka seekers of the holy grail)
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Re: Corporate Symbolism (intel inside)

Post  KapitanScarlet on Mon 15 Nov 2010, 23:03

I am actually beginning to think Cruise played a part in the murder of Stanley Kubrick.
What a Face my attention is arrested Tg , elaborate any evidence to this matter at any time you like, is this a scientology connection ?

The israel corporation theory is an eye opener

This link gives a nice history of how the guilds progressed and eventually taken over by the liverys
http://en.wikipedia.org/wiki/Guild

Its all about controlling the crafts (the means to manifestation ) under the crown
The city and guilds of London institute controls most of the crafts in the uk

Whats interesting also to me, is that the old system of a tradesperson ( craftsman) begins with an apprenticeship, through which they have a limited freedom and learn specific (secret to the trade) skills , then after a period of training , they become qualified as a Journeyman (craftsman) which allows them to journey for work (a freeman ) then they could move around and work for different masters , and even ascend to a master craftsman themselves and then even a grandmaster.

A crafstman today bares no comparison to a crafstman of yesterday, today they only have exoteric knowledge, they stagnate at journeyman level, usually with incomplete and poorly aquired training , but in the old days, i would say that the master and grandmaster stages contained a wealth of esoteric knowledge .
At some point in time, this knowledge fled into secret societys and was only available to select people

So a craftsman today may have learned many exoteric skills and even some can do a great job of producing work, but they have little or no knowledge with how their work interacts with the human psyche, that is the esoteric knowledge which old craftsman had and allowed them to create magnificent works of architecture .

Just take a look at the scottish parliament building and compare it with roslyn chapel as a reminder of the great fall in the perception of quality that has taken place , since the esoteric knowledge was removed and controlled by devious forces . Many people try to beleive that the scottish parliament building is a masterpiece as it was said to be . but it is a monstrous stain on the landscape.
A living monument of the vaccuous and restricted psychological sickness that has been allowed to permeate the peoples consciousness

This piece of shit cost 400 million of taxpayers money to build (was supposed to be 40million) and probably cost the same again to maintain and repair all the faults and poor workmanship since

They had people like the pseudo-artist Kirsty wark being responsible to choose this piece of crap, it looks like a cheap and nasty spanish holiday resort from a 70s film , wark using her film company made a film later to try and justify this horror , if i had my waym, wark and all her design chopice team would be picked up and deposited in a rowing boat and set sail into the atlantic never to be allowed return



Contrast that garbage with just one small piece of magnificence from the roslyn mastercraft piece, the apprentice pillar




Apologys for digress , but i feel that this piece of scottish parliament shit and the psychological sickness that has penetrated and is permeating scottish consciousness is a direct link to mercantile manipulators as per the livery investigation
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Re: Corporate Symbolism (intel inside)

Post  Sputnik on Tue 16 Nov 2010, 13:09

Kapis wrote:
If someone designs a symbol , does that person have mastery of all the possible connotations of that symbol ? i dont think so, even if they think they do, another person beholding the symbol can still extract or project into, their own unique perception from that symbol .

There is a difference between the design of a logo and a symbol. A real symbol is a three dimensional formation, like the Runes (crystaline structure) or the Swastica (electromagnetic field), they are not a inventions by men. Sigils and logos are a pictroral memes designed by men...to transport the meme to the receptive, good for hypnosis. The christian cross is such a meme. The david star is a geometric formation with natures conotation or energy...the x is a natural formation, the pyramid is a natural formation, the olympic rings are a Logo, a constructed meme. The natural formations which men only re-produce in writing are of a different order and have another energetic impact, they can transfere energy telepathically.

No symbol in itself can be claimed by any kind of group, but as I said before, some will be drawn to them more likely and their genetic response will be different, depending on their ancestral use of those symbols (or logos).


I completly agree about them being a language in the subconscious, which means that messages can be conveyed through symbolism that were not intended by the human designer , because no human has mastery of the subconscious world although there are certain crafts that study and aquire evolving understandings of that area.

We are guests of the subconscious world which is ruled by the unihipili animal spirits. We can get along and learn to understand the language if we are interested in it.

Therefore many symbols will contain colours, shapes and composition that are intended to have a definitive effect on anothers consciousness if that other person has achieved a specific level of conditioning or even education / wisdom

Take the Freemasonic logo for instance, it shows the tools to measure and design, it does not draw you in automatically. It does not effect your energetic composition when looking at it, but it may cause a emotional response in you depending on your memory of this logo in connection with something you experienced. The same is true of the christian cross...it shows a (torture) instrument used in ancient time. I have never understood why people can't see what this logo shows, it's like bowing down to a Guillotine. Okay, some people may think the beheading of the elite was great event, but do we see people praying to the logo of a Guillotine?...the cross is not recognized for what it is...that's the hypnotic trick....and the Freemasons were not the first to know about it..or to use this trick.

But its also possible that if there are "intelligences" operating in the subconscious world , then they can influence a human to create a symbolic design, that captures and displays within its grandeur , certain qualitys of sensual revelation that have yet to be revealed and elaborated through human literature.

The elementals. They can be contacted through true symbols.

This is why an artist producing a masterpiece may have extracted and freezeframed certain creative messages from the subconscious world that may influence a new form of articulation to beholders at a future date. The symbolic artistic pieces are Accessible vaults for the subconscious gold prospector (aka seekers of the holy grail)


There are not too many artist who give up the control so to speak. Sometimes you find an artist who will paint like that and when you ask what he is going to paint will say...let's wait and see..but how many painters do you meet who would say such a thing "let's wait and see", he puts color on the canvas and does not know what he want's to paint? He puts color on a canvas and some inner force paints something, who would believe that anyways....



There have been many groups that were extremely evil. The Venetians aren't the bad guys just because they were more evil, but also MORE successful. That means some people hate them because they are jealous. It's only dust, all glory is made from dust, just as our days are made from dust...don't hunt the shadows...just realise them and their struggle.

To paint the Venetians as the worst evil monsters who are to be blamed is useless. Without them there would have never been a Reformation or a Luther. As Goethe said, the evil that wants evil, yet created the good, and the Good wanting good, yet always creating the evil.

During difficult times the Venetians used their mental capacities to politically survive by having their enemies fight each other instead of attacking Venice.

Another good venetian skill is to be able to look at the history map from the eagle perspective instead of reacting like the pawn drawn on that map.

Cheers! Smile
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